As a child in the ‘60s (with uncles just over 10 years older), I was dimly aware of the decade’s turbulence. My parents watched the nightly news1 regularly but rarely spoke about what was going on in my presence, as I recall. Looking back, my vague memories are buttressed by the repetition of iconic photos and footage. My attitudes and thoughts tend to be more vague, almost certainly because they were rather unformed and uninformed.
But I remember believing that the social upheaval of the ‘60s and ‘70s would bring about enduring and positive change. Thinking about that now, it seems part of my faith was underpinned by buying in, to some degree, to the myth of American exceptionalism.
I thought that had long ago been completely excised from my belief systems. An email exchange with a dear friend this morning revealed that not to be the case. Just as I was preparing myself for a difficult and unpleasant internal spelunking session, I was rescued by a song starting up on the radio station in my mind.
“Time Passages” is the title track from Al Stewart’s eighth studio album and was co-written by his longtime collaborator, Peter White. The song cracked the top 10 of two Billboard charts—#7 on the Hot 100 and #1 on Easy Listening—and propelled the album to RIAA-certified platinum status in just six months.
The lyrics are what took me to this song today, but listening to it for the first time in a while, every element of the piece is hitting hard. That makes sense, as the legendary Alan Parsons produced Time Passages. Al Stewart is an underappreciated legend himself,2 so putting the two together had to yield excellent results.
Back then, “Time Passages” was considered soft rock. It occurs to me that these days, it might be included in the “yacht rock” subgenre. I have no idea what the boundaries might be for that concept category though. Anyone who has thoughts on the matter is welcome to share in the comments.
I owned Time Passages on vinyl but have yet to replace it in my digital music library. I adored Al Stewart back in the day and very likely still would if I remembered to listen to him more often. My head is just so full of music that he doesn’t get his due: I mean, I’ve only featured him once before, not long after I’d launched MotD. Seeing that he has released albums into the 2000s, I’m torn between rediscovering the familiar and exploring what’s new. I’m quite sure I can’t lose, whatever I choose.
“And that’s the way it is …“
if you’re skeptical, please skim his Wiki page.
Wow. This album title entered my head yesterday as the result of the death of a once close friend. In fact, I’ve got a draft "What Fresh" post started with that very title.
I feel like I could have written this wonderful piece, Jackie. Even though I listen to the yacht rock channel on SiriusXM regularly, it’s been a while since this song has graced my eardrums. I think it’s for sure part of the genre. What qualifies is up for debate, but this meets all my criteria - horn solo, wistful lyrics, lush, gorgeous vocals. HBO/MAX just released a yacht rock “dockumentary” (yachtumentary?), which I haven’t seen yet, but am excitedly wary to check it out. It seems to be focusing on the supposed big five - Toto, Steely Dan, Kenny Loggins, and Hall & Oates and Christopher Cross - but I would argue all of them are yacht-adjacent at best. I’d put Little River Band, Ambrosia, Seals & Croft and Atlanta Rhythm Section ahead of all of those in terms of true yachtiness.
I saw a “top 50 yacht rock songs” page online and “Time Passages” was #31 (ahead of “Rosanna” even!).
Your piece is a great reminder to revisit this album and check out the many Al Stewart records I’ve never listened to.